Houston Theatre News

BroadwayWorld reviews Shunya Theatre’s Disgraced

Brett Cullum’s BroadwayWorld review praises the acting and Jennifer Decker’s direction in Shunya Theatre’s Disgraced. The review considers how the production at MATCH handles cultural identity, racism, and assimilation.

BroadwayWorld reviews the local premiere of We Only Come Out at Night

Jonathan Netek reviews Austin Brady’s new horror comedy, co-produced by Company OnStage and The Phoenix Group. His BroadwayWorld review highlights the central performances and the play’s emotional core while noting areas where the pacing and technical effects could improve.

Houston Chronicle reviews Alley Theatre’s Romeo and Juliet

The Houston Chronicle has published Doni Wilson’s review of Alley Theatre’s Romeo and Juliet, directed by Rob Melrose. The review discusses the cast, staging, and contemporary touches in this Shakespeare production.

Houston Grand Opera names Sylvia D’Eramo as Susannah after Angel Blue withdraws

BroadwayWorld reports that Sylvia D’Eramo will replace Angel Blue in the title role of Houston Grand Opera’s Susannah. Patricia Racette directs and James Gaffigan conducts the production, scheduled for October 23–November 8, 2026.

Anarkali Reimagined announces its final Houston engagement

BroadwayWorld reports that Dreamers HTX will bring Anarkali Reimagined to Luxtrium October 22–25, 2026, for the final Houston presentation of this English-language version. Created and directed by Ayeshah Alam, the independent production combines theatre, music, and movement to explore the South Asian legend.

BroadwayWorld reviews The Sound of Music’s Houston stop

Jonathan Netek’s BroadwayWorld review examines the touring production of The Sound of Music at the Hobby Center. He praises its cast, orchestra, and period design while raising concerns about the chemistry between Maria and Captain von Trapp.

Cypress Stage begins its first season with Gloria: A Life

In a BroadwayWorld interview, director Deborah Hope discusses Cypress Stage’s inaugural production of Emily Mann’s Gloria: A Life, running October 2–18, 2026. The company is using the Cypress Woods High School black box for its first production, which includes an audience discussion circle.

BroadwayWorld reviews Rec Room Arts’ Amadeus

Brett Cullum’s BroadwayWorld review examines Matt Hune’s intimate staging of Amadeus at Rec Room Arts. He highlights performances by Luis Galindo, Rose Morrigan, and McKenna Marmolejo and discusses how the casting brings questions of gender and identity into Peter Shaffer’s play.

Sankofa announces Frankenstein cast and student collaboration

BroadwayWorld reports that The Sankofa Collective’s season finale, Frankenstein, will pair company artists with Ross Shaw Sterling student performers. Alric Davis and Steve Scott lead the cast, with Brandon McCormick directing performances October 30–November 2, 2026, at Sterling Theatre.

Houston Chronicle reviews Stages’ intimate Come From Away

Doni Wilson’s Houston Chronicle review praises Valerie Rachelle’s direction and choreography in Stages’ Come From Away. The review highlights the small-scale staging, visible live band, and cast members’ work across multiple roles.